Guy Luthan, a British doctor working at a hospital in New York, starts making unwelcome enquiries when the body of a man who died in his emergency room disappears. After the trail leads Luthan to the door of an eminent surgeon at the hospital, Luthan soon finds himself in extreme danger people who want the hospital's secret to remain undiscovered.

Working-class father John Crowley is finally on the fast track to corporate success when his two young children are diagnosed with Pompe disease—a condition that prevents the body from breaking down sugar. With the support of his wife, John ditches his career and teams with unconventional specialist, Dr. Robert Stonehill to found a bio-tech company and develop a cure in time to save the lives of his children. As Dr. Stonehill works tirelessly to prove the theories that made him the black sheep of the medical community, a powerful bond is forged between the two unlikely allies.

Manor Lane High is a school on the edge - underfunded and overwhelmed, the school’s staff are stretched thin. Just before the school day begins, Drew, the exhausted head of English, abruptly resigns for good. Left reeling, Amy, the deputy head of English, must step in and steady the ship. But she barely has time to gather her thoughts— Chris, the frantic deputy head, breaks the news: Ofsted inspectors are arriving in 15 minutes for a surprise inspection. Caught between burnout and bureaucracy, can this fractured school survive the day?

Extreme is an action adventure series starring James Brolin and centered around a Rocky Mountains search and rescue operation.Debuting on ABC on January 29, 1995, Extreme was the lead-out program which followed the network's coverage of Super Bowl XXIX. The show was unsuccessful and ABC canceled the series after seven episodes aired. The final episode aired on April 6, 1995, with six episodes left unaired.Following the failure of Extreme, the Big Four networks have largely steered themselves away from premiering new programming after the Super Bowl and have instead chosen to run special episodes of their own programming.

Measures of Distance is a video work comprising several layered elements. Letters written by Hatoum's mother in Beirut to her daughter in London appear as Arabic text moving over the screen and are read aloud in English by Hatoum. The background images are slides of Hatoum's mother in the shower, taken by the artist during a visit to Lebanon. Taped conversations in Arabic between mother and daughter, in which her mother speaks openly about her feelings, her sexuality and her husband's objections to Hatoum's intimate observation of her mother's naked body are intercut with Hatoum's voice in English reading the letters. 　　Hatoum was born in Beirut to Palestinian parents and became an exile in Britain, during a short visit to London, when war broke out in Lebanon in 1975. She attended art schools in London (Byam Shaw School of Art 1975-9, Slade School of Art 1979-81), where her experience of cultural displacement, both as a woman and an Arab national, informed much of her practice. She made Measures of Distance in Vancouver during a year as artist-in-residence at Western Front Art Centre. It is a Western Front production. Hatoum has said: 　　Although the main thing that comes across is a very close and emotional relationship between mother and daughter, it also speaks of exile, displacement, disorientation and a tremendous sense of loss as a result of the separation caused by war. In this work I was also trying to go against the fixed identity that is usually implied in the stereotype of Arab woman as passive, mother as non-sexual being … the work is constructed visually in such a way that every frame speaks of literal closeness and implied distance. 　　(Quoted in Mona Hatoum 1997, p.140). 　　In the video the decorative Arabic script of Hatoum's mother's letters floats over the images of her body like a veil or barbed wire, preventing total visual access to the image. It both conceals and reveals the woman inhabiting that body, explicating her as an active thinking and feeling being, an image which is emphasised by the frank conversation about her sexuality with her daughter. The Arabic and English parts of the sound-track have been given equal emphasis, 'creating a difficult and alienating situation for a Western audience who have to strain to follow the narrative' (Hatoum in Mona Hatoum 1997, p.140). The work evokes a strong sense of intimacy between a mother and daughter and suggests a creative and transformative relationship through the breaking of taboos around the maternal body. It is through the daughter's art-making project that the mother is able to present herself freely, in a form which cements a bond of identity independent of colonial and patriarchal concerns.

Measures of Distance is a video work comprising several layered elements. Letters written by Hatoum's mother in Beirut to her daughter in London appear as Arabic text moving over the screen and are read aloud in English by Hatoum. The background images are slides of Hatoum's mother in the shower, taken by the artist during a visit to Lebanon. Taped conversations in Arabic between mother and daughter, in which her mother speaks openly about her feelings, her sexuality and her husband's objections to Hatoum's intimate observation of her mother's naked body are intercut with Hatoum's voice in English reading the letters. 　　Hatoum was born in Beirut to Palestinian parents and became an exile in Britain, during a short visit to London, when war broke out in Lebanon in 1975. She attended art schools in London (Byam Shaw School of Art 1975-9, Slade School of Art 1979-81), where her experience of cultural displacement, both as a woman and an Arab national, informed much of her practice. She made Measures of Distance in Vancouver during a year as artist-in-residence at Western Front Art Centre. It is a Western Front production. Hatoum has said: 　　Although the main thing that comes across is a very close and emotional relationship between mother and daughter, it also speaks of exile, displacement, disorientation and a tremendous sense of loss as a result of the separation caused by war. In this work I was also trying to go against the fixed identity that is usually implied in the stereotype of Arab woman as passive, mother as non-sexual being … the work is constructed visually in such a way that every frame speaks of literal closeness and implied distance. 　　(Quoted in Mona Hatoum 1997, p.140). 　　In the video the decorative Arabic script of Hatoum's mother's letters floats over the images of her body like a veil or barbed wire, preventing total visual access to the image. It both conceals and reveals the woman inhabiting that body, explicating her as an active thinking and feeling being, an image which is emphasised by the frank conversation about her sexuality with her daughter. The Arabic and English parts of the sound-track have been given equal emphasis, 'creating a difficult and alienating situation for a Western audience who have to strain to follow the narrative' (Hatoum in Mona Hatoum 1997, p.140). The work evokes a strong sense of intimacy between a mother and daughter and suggests a creative and transformative relationship through the breaking of taboos around the maternal body. It is through the daughter's art-making project that the mother is able to present herself freely, in a form which cements a bond of identity independent of colonial and patriarchal concerns.

Based on the blockbuster films, this action-packed animated series starts a decade after the original Ghostbusters saved New York City from ghosts, goblins and ghouls. All the guys have left town, except Egon, now teaching a Paranormal Studies class at the local university. But Zuul, the all-powerful demon, has awakened from hibernation to wreak havoc on the unsuspecting masses. Desperate to recruit a new team, Egon and the plucky Janine turn to four of his teenage students: Kylie, a genius with an encyclopedic knowledge of the occult; Eduardo, a hip slacker with a crush on Kylie; Garrett, a wheelchair-bound athlete with a hot temper; and Roland, a “gentle giant” mechanical whiz. It's only a matter of time before Egon, Janine, old pal Slimer and the “kids” band together to rid the city of the evildoers.

Hye-soo, CEO of a suburban start-up in Mang-jin, endeavors to successfully host the city's emblematic 2nd Yeonsan-gun Cultural Festival but faces persistent unexpected challenges causing the festival to become chaotic.

Based on a true story, EXTREME NUMBER is the story of a young refugee from Chechnya who comes to Berlin, Germany in 2004 and is thrown into prison. He enlists the help of a translator to escape and joins a terrorist group that gives him a very special order. Authentic war documentation is embedded into the film as the Chechen protagonist’s flashback. This is real coverage of war, shot by a Chechen rebel from 1994-2000 in Chechnya. Real and fictional levels of the story blend together as a whole.

In this action-comedy, four twenty-something friends are looking for love and having no luck. While on a ski trip, one of them finds passion with a beautiful girl after a random accident on the icy slopes. The others quickly conclude that the extreme circumstances of the accident were what caused love to bloom. They decide that the path to true love is to purposely set each other up on "extreme dates" with the objects of their affections...